Statius Bibliography by Author

M
MacKay, L.A., "The Vocabulary of Fear in Latin Epic Poetry," Transactions and Proceedings of the American Philological Association 92 (1961): 308-316
MacKay, L.A., "Statius in Purgatory,: Classica et mediaevalia 26 (1965 [1967]): 293-305
• Statius represents poetic intuition and thus is secondary to revelation, which is an immediate form of divine appirition, according to Dante.
Madvig, J.N., Adversaria critica ad scriptores Graecos et Latinos, 2 vols. (Hauniae: Gyldendal [Leipzig: T.O. Weigel], 1871): 1:149, 2:152-61
• On Silv. 2.6.64; Statius' unconvential style. Discussions of Theb. 1.22, 268 (read "a quo"), 631 ("intendit"); 2.235 ("pavores"), 252 ("per orbem"), 431 ("aulis"), 475 ("lassavit"), 559 ("dena"), 607 ("valens"), 672 ("mulcatum"); 3.101 ("contemptim regi"); 4.698 ("sinus ... Exaruit"). Silv. 1.3.23 ("et alentes"), 1.3.43 ("suspensa"), 1.3.49 ("digitos"), 1.3.90 ("nulli"), 1.6.24 ("serena"); 2.1.56 ("amatus"), 2.2.137 ("patriaeque errore"), 2.3.71 ("promere"), 2.6.6 ("acres tamen et"), 2.6.50 ("dolentem"), 2.6.82-3 ("saepius atro ... Sibi"), 2.7.58 ("(ingratus Nero!)"), 2.7.131 ("mortis"); 2.pr.22 ("acceptum est. Cludit"); 3.pr.4 ("exposcas"); 4.pr.12 ("sed mihi citra"), 4.pr.34 ("defende, sed, si ... Si nimis reprehendemur").
Maggiali, Giovanni, "La presenza di Catullo nelle Silvae di Stazio," pp. 77-90 of Giuseppe Gilberto Biondi, ed., Il Liber di Catullo: Tradizione, modelli e Fortleben, Quaderni di Paideia 14 (Cesena: Stilgraf Editrice, 2011)
• Catullus has a strong presence in the Silvae in contrast to the Achilleid.
Maggiali, Giovanni, "La presenza di Catullo nelle Silvae di Stazio," pp. 77-90 of Giuseppe Gilberto Biondi, ed., Il Liber di Catullo: Tradizione, modelli e Fortleben, Quaderni di Paideia 14 (Cesena: Stilgraf Editrice, 2011)
• Catullus has a strong presence in the Silvae in contrast to the Achilleid.
Magoun, F.P., "Chaucer's summary of Statius' Thebaid 2-12," Traditio 11 (1955): 409-20
• Chaucers' Troilus and Cressyde 5.1485-1510 are based on the argumenta antiqua.
Malamud, M.A., "Happy birthday, dead Lucan: (p)raising the dead in Silvae 2.7," Ramus 24.1 (1995): 1-30
Malamud, M., "That's entertainment! Dining with Domitian in Statius' Silvae," Ramus 30 (2001): 23-45
Malamud, M.A.,"A Spectacular Feast: Silvae 4.2," Arethusa 40.2 (2007): 223-44
Malaspina, A., "De Lucio Verginio Rufo et Lucio Arruntio Stella epigrammatum scriptoribus," Athenaeum n.s. 2 (1924): 132-40. 
• Review: Schuster Jahrbuch für Altertumswissenschaft (1927): 143.
Manasseh, James, "A Commentary on Statius' Thebaid 1.1-45," Unpublished MA Thesis, University of St. Andrews, 2017
Link.
Mancini, A., "Sul significato di mitis in due passi della Tebaide di Stazio (I 334; II 382)," Maia 69.3 (2017) 537-542
Manioti, Nikoletta, "Becoming Sisters: Antigone and Argia in Statius' Thebaid," in Nikoletta Manioti, ed., Family in Flavian Epic, Mnemosyne suppl. 394 (Leiden, 2016)
• An analysis of sisters-in-law in epic leads to the conclusion that Statius constructs their relationship to be sisterly, with typical sibling competitiveness. •Review: Davis, Bryn Mawr Classical Review 2017.03.04
Manitius, M., "Beiträge zur Geschichte römischer Dichter im Mittelalter, 15. Statius," Philologus 52 (1894): 538-45
• On the reception of Statius in the Middle Ages. The whole series is: (1889): 710-20; 49 (1891): 554-64; 50 (1892): 354-72; 51 (1893): 704-19; 52 (1894): 536-52.
Manitius, Max, "Aus Dresdener Handschriften, II: Scholien zu Statius' Thebais," Rheinisches Museum für Philologie 57 (1902): 397-421
Manitius, Max, "Handschriftliches zum Texte des Statius," Rheinisches Museum für Philologie n.F. 59 (1904): 588-96
• Collation of the Dresden manuscripts of the Thebaid.
Manitius, Max, "Dresdener Scholien zu Statius Achilleis," Rheinisches Museum für Philologie 59 (1904): 597-602
Manning, C.E., "Grief in Statius' Epicedia," AUMLA: Journal of the Australasian Universities Language and Literature Association 50 (1978): 251-60
• Grief from Statius seems extravagant, but he was writing in conformity with elegiac consolatio and epic and was not describing the actual behavior of the bereaved.
Manolaraki, Eleni, "Aeriae grues: Crane Migrations from Virgil to Statius," Classical Journal 107.3 (2011-12): 290-311
• Examination of the topos of crane migrations illustrates the ideological and meta-poetical development of this motif in its home genre. Each poet's adaptation of his predecessors' crane motifs alludes to the characters, themes, and ideological underpinnings of his own epic. Influence of Lucan on Statius and the heuristic value of migration as a cultural and literary experience.
Manolaraki, Eleni, "Aeriae grues: Crane migrations from Virgil to Statius," Classical Journal 107.3 (2011-12): 290-311
• Examination of the topos of crane migrations illustrates the ideological and meta-poetical development of this motif in its home genre. Each poet's adaptation of his predecessors' crane motifs alludes to the characters, themes, and ideological underpinnings of his own epic. Influence of Lucan on Statius and the heuristic value of migration as a cultural and literary experience.
Manolaraki, Eleni, Noscendi Nilum cupido: Imagining Egypt from Lucan to Philostratus, Trends in Classics, Supplementary Volume 18 (Berlin: De Gruyter, 2013)
• Egypt in Lucan, Philostratus (Vita Apollonii), Valerius Flaccus, Statius (Thebais and Silvae) and Plutarch (De Iside et Osiride).
Manso, "Ueber Statius," Nachtrag zu Sulzers Theorie der schönen Künste 8.2 (1808): 344-83 
Mantke, J., "Die aesthetische oder dichterische Funktion des Vesuv-Bildes," Eos 78 (1985): 277-296
• Presence and role of the destruction of Vesuvius in Latin literature.
Marastoni, A., "Nonnulla de P. Papini Stati Silvarum editionibus," Aevum 30 (1956): 354-362
• Tendencies and aspects of the editions of Vollmer, Klotz, Phillimore and Frère. 
Marastoni, A.,., "Per una nuova interpretazione di Stazio poeta nelle Selve," Aevum 31 (1957): 393-414
Marastoni, A., "Per una nuova interpretazione di Stazio poeta nelle Selve, II," Aevum 32 (1958): 1-37
• Interp. of S. is too much caught on sources. But the quality of him as a client isn't determinant on his poetic production. The influence of rhetoric on him is noteworthy, but Statius' verbiage and versification still have originality. 
• Review: d'Agostino, RSC 6 (1958): 328.
Marastoni, A., "Note alle Selve di Stazio," Rendiconti dell'Istituto Lombardo, Classe di Lettere, Scienze morali e storiche 93 (1959): 437-452
• A discussion of 20 controversial passages in light of Politian's commentary.
Marastoni, A., ed., Silvae (Leipzig, 1961)
• Reviews: Gossage, Classical Review 76 (1962): 214-16; Kytzler, Gnomon 34 (1962): 567-71; anonymous, Giornale italiano di filologia: Rivista trimestrale di cultura 16 (1963): 78; Aricò, Rivista di filologia e di istruzione classica 92 (1964): 87-92; Janssen, Mnemosyne 17 (1964): 204-206; Pfliegersdorffer, Anzeiger für die Altertumswissenschaft 17 (1964): 170-72; Freyd, Eirene 4 (1965) 158-59; G. Lotito, "In margine alla nuova edizione Teubneriana delle Silvae di Stazio," Atene e Roma: Rassegna trimestrale dell'Associazione Italiana di Cultura classica 19 (1974): 26-48
Marastoni, A., "Der Dichter Statius," Altertum 15 (1969): 220-37
Marastoni, A., ed., Silvae, 2nd ed. (Leipzig, 1970)
Marastoni, A., ed., Achilleis (Leipzig, 1974)
• Reviews: Dilke, Gnomon 48 (1976): 812-15; Hine, Journal of Roman Studies 67 (1977): 246-47
Maresca, Benedetto, "Saggio di traduzione di un carme del primo libro delle selve di Stazio," Atte della accademia pontaniana 31.9 (1901): 1-16 (repr. Naples, 1901)
• [Silv. 1.2 in Italian] link .
Maresca, B., trans., Tre carmi: volti in italiano di Papinio Stazio (Napoli: A. Natale, 1905)
Maresca, B., trans., Epistola a Vittorio Marcello, Silv. IV, 4, recreata in italiano (Napoli. 1906)
Maresca, B., trans., L'Ecloga alla moglie e la Gratulazione a Menecrate recreate in italiano (Napoli, c. 1906) 
Maresca, B., trans., Propempticon Maecio Celeri P. Papinii Statii, Silv. III, 2 recreato in italiano (Napoli, 1907)
Marina Sáez, Rosa María, "La construcción de la imagen del poder femenino en la poesía altoimperial: propaganda y denostación," in María Almudena Domínguez Arranz, ed., Política y género en la propaganda en la Antigüedad = Gender and politics in propaganda during Antiquity: Antecedentes y legado = Its precedents and legacy , Estudios Históricos La Olmeda, Piedras Angulares (Gijón: Trea, 2013), pp. 279-297
• Juvenal's, Martial's, and Statius' treatment of the image of women.
• Reviews: López, Archivo Español de Arqueología 86 (2013) 308-310; Gutiérrez, Gerión 31 (2013) 445-447; Huerta, SHHA 31 (2013) 174-180
Marinčič, Marko, "Grška mitologija pri Staciju: Dante, Harold Bloom in meje politične psihologije [Greek Mythology in Statius: Dante, Harold Bloom, and the Limits of Political Psychology]," Keria: Studia Latina et Graeca 12 (2010) 189-215 with plate
• Statius' supposed crypto-Christianity stems from Dante's psychological reading of the Thebaid, in which civil war results from a denial of faith. This stems in turn from a political-psychological reading of Flavian literature, in which repression (in Harold Bloom's concept of "anxiety of influence") prevents discussion of current events. The poem becomes a reaction to Virgil.
Marinčič, Marko, "L'angoscia dell'influenza, angoscia della morte: La morte di Achille tra Catullo, Virgilio e Stazio," Incontri di Filologia Classica 10 (2010-2011) 81-96
• Discussion of the depiction of Achilles in Catullus 64.323-380, Eclogues 4 and Georgics 4, and the Achilleid. Achilles is an ambiguous depiction of the Roman leader-statesman pretending to immortality.
Marinis, Agis, "Statius' Thebaid and Greek Tragedy: The Legacy of Thebes," in William J. Dominik et al., edd., Brill's Companion to Statius (Leiden: Brill, 2015), pp. 343-361
• Comparison of the poem with Aeschylus and Euripides.
Mariotti, Italo, "Lezioni di Beroaldo il Vecchio sulla Tebaide," in R. Cardini et al., edd., Traditione classica e letteratura umanistica, per Alessandro Perosa, Umanistica 3 (Roma, 1985): 577-593
Mariotti, S., "Il cristianesimo di Stazio in Dante secondo il Poliziano," in Letteratura e critica, Studi in onore di N. Sapegno, vol. 2 (Roma, 1975): 149-61 = Scritti medievali e umanisti, Storia e letteratura 137 (Roma, 1976): 71-85
• Likelihood and unlikelihood of Politian's belief that Dante's attribution stems from Th. 4.514.
Marks, Raymond David, "Statio-Silian Relations in the Thebaid and Punica 1-2," Classical Philology 109 (2014) 130-139
• A discussion of parallels between the siege of Saguntum in Punica 1-2 and events in the Thebaid.
Markus, D.D., "Statius' Vatic Presence in the Thebaid," summary in AAPHA (1996)
Markus, D.D., "Transfiguring Heroism: Nisus and Euryalus in Statius' Thebaid," Vergilius 43 (1997): 56-62
• With the suicide of Dymas, Statius translates the heroism of Vergil's Nisus and Euryalus into a contemporary paradigm, the ostentatious self-inflicted death. Statius does not call into question the moral standing of his heroes, who are innocent victims of fate. 
Markus, D.D., "The Politics of Entertainment: Tradition and Romanization in Statius' Thebaid," Dissertation, University of Michigan, 1997
• Summary in Dissertation Abstracts International 58.5 (1997-98): 1693A
Markus, D.D., "Performing the Book: The Recital of Epic in First-Century C. E. Rome," ClAnt 19.1 (2000): 138-79
• Both Statius as a poet, who performed regualrly at Domitian's court, and Suetonius, who acted as Hadrian's ab epistulis some twenty years after Statius' death, defend the waning reputation of the contemporary epic recital in an effort to reclaim it as a prestigious component of imperial literary culture. 
Markus, D.D., "The Politics of Epic Performance in Statius," in A.J. Boyle and W.J. Dominik, edd., Flavian Rome. Culture, Image, Text (Leiden: Brill, 2003), 431-68
Markus, D.D., "Grim Pleasures: Statius's Poetic Consolationes," Arethusa 37.1 (2004): 105-35
• Statius co-opts the feminine genre of lamentation-traditionally constructed as dangerous and excessive. he sublimates the expression of human pain and grief into a cathartic consolatio.
Marrón, Gabriela A., "Imago rapti: La ira de Ceres en Claud., Pros. III 260-268," Emerita 81 (2013) 137-150
• Claudian's text is derived from the Thebaid, Iliad. 16, and a fragment of Ambrosius' Hexameron.
Marrón, Gabriela, "Resonancias del sintagma candida bucula en el De raptu Helenae de Draconcio," Maia 66 (2014) 390-398
• Relationships with Ovid, Am. 3.5.10 and Silv. 4.8.25-31.
Marshall, Adam R., "Statius, Siluae I: A Commentary on the Ecphrastic Poems," Dissertation, Queen's University Belfast, 2004
Marshall, A.R., "Allusion and Meaning in Statius: Five Notes on Silvae 1," Mnemosyne 61.4 (2008) 601-18
• On 1.1.18-21, 1.3.83-89, 1.3.99-104, 1.5.1-5 and 1.5.10-14, which contain layers of literary allusion that point the reader towards a fuller and richer interpretation of the text.
Marshall, A.R., "Statius and the Veteres: Silvae 1.3 and the Homeric House of Alcinous," Scholia: Studies in Classical Antiquity 18 (2009) 78-88
Marshall, Adam R., "Spectandi Voluptas: Ecphrasis and Poetic Immortality in Statius' Silvae 1.1," Classical Journal 106.3 (2011): 321-47
• Statius is concerned to define his own position in the traditions of ecphrasis. The poem may be read as the first in a series of moments in the Silvae where Statius explores the relationship between poetry and the visual arts.
Martelli, Francesca, "Plumbing Helicon: Poetic Property and the Material World of Statius' Silvae," Materiali e discussioni per l'analisi dei testi classici 62 (2009) 145-77
Marti, Berthe Marie, review of Schetter, W., Untersuchungen zur epischen Kunst des Statius (1960), The American Journal of Philology 85 (1964): 85-88
Martin, D., "Similarities Between the Silvae of Statius and the Epigrams of Martial," Classical Journal 34 (1939): 461-70
• Mostly, similarity of subjects, and by the picture of social life under the Flavians.
Martindale, Charles Anthony, review of Henderson, J.G.W., A Roman Life (1988), Journal of Roman Studies 89 (1999): 238-39
Martinez, R. L., Dante, Statius, and the Earthly City, Dissertation, U. California Santa Cruz, 1977. Summary in Dissertation Abstracts 38 (1978): 6707a-6708a.
Masante, M., "Lattanzio Firmiano o Lattanzio Placido autore del 'De ave phoenice'?" Didaskaleion n.s. 3 (1925): 1.105-10
• Disputes C. Landi, "Il carme De ave phoenice," Atti e Mem. Accad. Pad. 31 (1915): 33-72.
Masterson, M., "Statius' Thebaid and the Realization of Roman Manhood," Phoenix: Journal of the Classical Association of Canada = Revue de la Société Canadienne des études Classiques 59.3/4 (2005) 288-315
Masterson, M., "The Silvae," rev. of M. Rühl, Literatur gewordener Augenblick. Die Silven des Statius im Kontext literarischer und sozialer Bedingungen von Dichtung, Untersuchungen zur antiken Literatur und Geschichte 81 (Berlin: de Gruyter, 2006), Classical Review 58.2 (2008): 483-85 
Maugan-Chemin, Valérie, "Les couleurs du arbre chez Pline l'Ancien, Martial et Stace," in A. Rouveret, S. Dubel, and V. Naas, edd., Couleurs et Matières dans l' Antiquité: Textes, techniques et pratiques, Études de Littérature Ancienne 17 (Paris: éditions Rue d' Ulm/Presses de l' école normale supérieure, 2006): 103-26
• Reviews: Boulogne, Les Études Classiques 74.2 (2006): 180-81; Monaco. ASAA ser. 3 5.2 (2005): 521-24; Bradley, Classical Review n.s. 57.2 (2007): 548-50; Sandoz, Museum Helveticum 64.4 (2007): 264-65; Brunet, Dialogues d'histoire ancienne 34.1 (2008): 196-99; Bouffier, Revue des études anciennes 110.1 (2008): 261-62
Mauri, Riccardo, "Ricerca di modelli ellenistici nel proemio della Tebaide di Stazio," Acme 51.1 (1998): 221-25
• The proem of the Thebaid contains not only allusions to Hellestic models but also precise references to Callimachus' Aitia.
Mayer, H., "Über eine Berliner Handschrift der Achilleis des Statius," Philologus 51 (1892): 381-84
• On Hamilt. 607. Link
Mayer, Herrmann, "Die Glossen in der Berliner Statius-Handschrift," Philologus 53 (1894): 194-7
Mayer, R.C., "Two notes on Latin poets," Proceedings of the Cambridge Philological Society 22 (1976): 56-59
• Suggested readings for Theb. 9.248-50 and [Hadrian] In Hist. Aug. 25.9.
Mayer, Roland G., review of van Dam, H.-J., P. Papinius Statius Silvae Book 2 (1984), Classical Review 36 (1986): 50-51
Mazzoli Casagrande, M. A., "Frammenti membranacei di classici latini conservati a Pavia (secoli 14-15)," RicMed 10-12 (1975-77): 31-41
McAuley, Mairéad, "Ambiguus sexus: Epic Masculinity in Transition in Statius' Achilleid," Akroterion 55 (2010) 37-60
• "The complex post-Ovidian representation of gender in the Achilleid bears implications for our understanding of Roman epic as a genre. As Achilles struggles toward his literary destiny as the ultimate Homeric warrior, the poem's allusive exploration of gender ultimately reorients the tense relationship of the epic hero to women and amor, and of the epic genre to its own institutionalized masculinity," (from LAPH).
McAuley, Mairéad, Reproducing Rome: Motherhood in Virgil, Ovid, Seneca, and Statius (Oxford: Oxford University Press, 2016)
• Reviews: Chinn, Bryn Mawr Classical Review 2016; Pyy Classical Review N.S. 66 (2016) 423-424
McCarter, Stephanie Ann, "Maior post otia virtus: Public and Private in Statius, Silvae 3.5. and 4.4," Classical Journal 107.4 (2011-12): 451-81
• On how Statius situates himself and his poetry amid the social complexities of Domitianic Rome. Silv. 3.5 and 4.5 offer carefully-constructed recusationes that expose Statius' deep ambivalence toward his public poetic role as a writer of epic and panegyric, and his persona in these poems is analogous to that of Horace in his first book of Epistles. Though Statius desires public reknown and in 4.4 shows how his public and private poetry are interconnected in a complex manner, his essentially private nature precludes his taking on the most public and potentially-dangerous topic of epic song: Domitian.
McCarter, Stephanie Ann, "Maior post otia virtus: Public and Orivate in Statius, Silvae 3.5. and 4.4," Classical Journal 107.4 (2011-12): 451-81
• On how Statius situates himself and his poetry amid the social complexities of Domitianic Rome. Silv. 3.5 and 4.5 offer carefully constructed recusationes that expose Statius' deep ambivalence toward his public role as a writer of epic and panegyric, and his persona in these poems is analogous to that of Horace in his first book of Epistles. Though Statius desires public reknown and in 4.4 shows how his public and private poetry are interconnected in a complex manner, his essentially private nature precludes his taking on the most public and potentially-dangerous topic of epic song: Domitian.
McClure, Jason, "Thebaid 2.239, 2.729 and the Problem of Aracynthus," Mnemosyne 64.1 (2011): 58-81
• Statius mentions Mount Aracynthus twice. The first recalls Propertius 3.15.42, recalling to mind the myth of Dorce. The second refers to a second MOunt Aracynthus, which we are unable to locate: Sextus Empiricus (Aduersus Mathematicos 1.257-258) locates it in Attica or Boeotia.
McCullough, A., "Heard But Not Seen: Domitian and the Gaze in Statius' Silvae," Classical Journal 104.2 (2008-2009): 145-62
• Although S. 1.1, 1.6, and 4.1-3 attribute positive virtues to Domitian, they focus on his power and its effects, or his divine nature, but almost never on the man himself. Domitian himself appears only twice. He does not interact or converse with his subjects, and is physically isolated. This coincides with the picture drawn by ancient historians of a Domitian who shunned the public eye.
McCullough, Anna, "One Wife, One Love: Coniugalis amor, Grief and Masculinity in Statius' Silvae," pp. 175-91 of Dana LaCourse Munteanu et al., edd., Emotion, Genre and Gender in Classical Antiquity (London: Bristol Classical Pr., 2011)
• Men in the Silvae who display devotion to their wives in life and extreme grief at their death are part of a broader contemporary discourse on masculinity at Rome.
• Reviews: Lateiner, Bryn Mawr Classical Review 2012.01.04
McCullough, Anna, "One Wife, One Love: Coniugalis amor, Grief and Masculinity in Statius' Silvae," pp. 175-91 of Dana LaCourse Munteanu et al., edd., Emotion, Genre and Gender in Classical Antiquity (London: Bristol Classical Pr., 2011)
• Men in the Silvae who display devotion to their wives in life and extreme grief at their death are part of a broader contemporary discourse on masculinity at Rome.
• Reviews: Lateiner, Bryn Mawr Classical Review 2012.01.04
McCullough, Anne, review of Liberman, Gauthier, Statius, Silves (2010), Classical Review 62.1 (2012): 177-80
McGann, M.J., "Lucan's De incendio urbis: The Evidence of Statius," Transactions and Proceedings of the American Philological Association 105 (1975): 213-7
• The reference at Silv. 2.7.60-61 seems to refer to a work in prose.
McGuire, D.T., "Textual Strategies and Political Suicide in Flavian Epic," Ramus 18 (1989): 21-45
• Valerius Flaccus 1.695-850, Theb. 3.38-112, and Silius Italicus 2.539-698 present suicide as a possible response to tyranny and domination; suggests that it was a topic of debate.
McGuire, D.T., Acts of Silence: Civil War, Tyranny and Suicide in the Flavian Epics, Altertumswissenschaftliche Texte und Studien 33 (Hildesheim: Olms, 1997)
• Reviews: Benoist, L'Antiquité classique 68 (1999): 414-16; Dewar, Classical Review 50.1 (2000): 60-61
McKeown, Niall, "Had They No Shame? Martial, Statius and Roman Sexual Attitudes Towards Slave Children," in Sally Crawford and Gillian Shepherd, edd., Children, Childhood and Society, IAA Interdisciplinary Series, Studies in Archaeology, History, Literature and Art 1, University of Birmingham BAR International Series 1696 (Oxford: Archaeopress, 2007): 57-62
McLanathan, Richard B.K., "'Achilles on Skyros' by Nicolas Poussin," Bulletin of the Museum of Fine Arts 45.259 (Feb., 1947): 2-11
• The first version of the painting is based on a contemporary mythological reference. The second version (now in Richmond, VA) has many aspects that reflect the Statian version of the myth.
McNamara, J., "Apostrophe in the Thebaid," rev. of S. Georgacopoulou, Aux frontières du récit épique: L'emploi de l'apostrophe du narrateur dans la Thébaïde de Stace, Collection Latomus 289 (Brussels: Latomus, 2005), Classical Review 58.2 (2008): 487-88  
McNelis, C., Reflexive Narratives: Poetics and Civil War in Statius' Thebaid, PhD Dissertation, University of California (Los Angeles), 2000
McNelis, C., "Greek Grammarians and Roman Society during the Early Empire: Statius' Father and his Contemporaries," ClAnt 21.1 (2002): 67-94
• The curriculum of Statius' father is thus representative of Greek intellectual activity in early imperial Rome. The seemingly strange selection of authors was geared towards marking off the élite from the non-élite.
McNelis, Ch., "Middle-March: Statius' Thebaid and the Beginning of Battle Narrative," in S. Kyriakidis and F. De Martino, edd., Middles in Latin Poetry, Le Rane: Collana di Studi e Testi, Studi 38 (Bari: Levante editori, 2004): 261-310  
McNelis, C., "Looking at the Forest? The Silvae and Roman Studies: Afterword," Arethusa 40.2 (2007): 279-84
McNelis, C., Statius' Thebaid and the poetics of civil war (Cambridge, 2007)
• Review: Chinn, Bryn Mawr Classical Review 2008.06.01; Cowan, Classical Review 60.1 (2010): 133-35; Heslin, Journal of Roman Studies 98 (2008): 243-45
McNelis, C., "Ut Sculptura Poesis: Statius, Martial, and the Hercules Epitrapezios of Novius Vindex," The American Journal of Philology 129.2 (2008): 255-276
McNelis, C., "In the Wake of Latona: Thetis at Statius, Achilleid 1.198-216," Classical Quarterly 59.1 (2009): 238-46
McNelis, Charles, "Similes and Gender in the Achilleid, in William J. Dominik et al., edd., Brill's Companion to Statius (Leiden: Brill, 2015), pp. 189-204
• The first two similes of the poem (1.159-166 and 180-181) create an expectation of Achilles' gender in the rest of the poem. Includes a comparison with Callimachus (Lau.Pall. 17-32) and passages in Virgil.
Meheust, J., ed. and trans., Achilleide, Collection G. Budé (Paris: Belles Lettres, 1971)
Meister, R., "Zu Statius Silvae," MVPhW (1929): 9-11
• Critical note on Silv. 1.pr.
Melville, A.D., trans., Thebaid (Oxford, 1992) [with notes by D.W.T. Vessey]
• Review: W.D. Dominik, Bryn Mawr Classical Review 4 (1993): 187-92; J.M. Fisher, Classical Review 44 (1994): 206-207
Mendelsohn, D., "Empty Nest, Abandoned Cave: Maternal Anxiety in Achilleid I," ClAnt 9 (1990): 295-308
• Parallel treatment of maternal and marital anxieties. The depiction of this uneasy heroine provides a foil for her son's relationship with Deidamia, which will again aggravate the tensions.
Menke, F.A., Observationes criticae in Statii Achilleida et alios passim scriptores (Göttingen: Vandenkoeck et Ruprecht, 1814)
• Notes on Ach. 1.20-2, 8-11, 22-4, 43-5, 68, 413, 91-2, 100-1, 104, 109-10, 147-8, and 556-9
Mensching, E., "Lukans Schriftenverzeichnis bei Statius (Silv. 2.7)," Hermes 97 (1969): 252-55
Mercati, G., Per la cronologia della vita e degli scritti di Niccolò Perotti, Studi e Testi 44 (1925)
Merli, Elena, "Ordinamento degli epigrammi e strategie cortigiane negli esordi dei libri I-XII di Marziale," Maia: Rivista di Letterature Classiche 45 (1993) 229-256
• The structure of Martial's poems, especially those with proems. Comparison with the prefaces of Silvae 1-4.
Merli, Elena, "La lima e il testo da Ovidio a Marziale: Poetica e comunicazione," CentoPagine 4 (2010) 79-96
• On the use of lima and correction in Ovid, Martial, and Statius.
Merrill, W.A., "Notes on the Silvae of Statius," Univ. of Calif. Pub. 5 (1918-20): 69-134, 155-182. 
• Notes on 1.1.6, 2.2.125, 2.5.28, 3.3.71, 3.5.9, etc. 
• Review: Schuster, Jahrbuch für Altertumswissenschaft 212 (1927)
Mestron, P. Th. R., "Dante-Statius," Hermeneus 41 (1969): 29-30
• Against A. Nolte, "De figuur van Statius in de Divina Commedia," Hermeneus 40 (1968) 21-36.
Meurig-Davies, E.L.B., "Catullus and Statius: Four Notes," Classical Quarterly 44 (1950): 31
• Critical notes to Catullus and to Theb. 7.11-13 and 10.26.
Michler, W., De P. Papinio Statio M. Annaei Lucani imitatore (Breslau: Nischkowsky, c. 1915). 
• Reviews: Weyman, Historisches Jahrbuch (1915): 212. Schuster, Jahrbuch für Altertumswissenschaft 212 (1927): 139
Micozzi, Laura, "Alcuni nuovi contributi allo studio dell'imitazione virgiliana nella Tebaide," Orpheus 16.2 (1995): 417-33
• Rather than simply imitating Virgil, Statius inverts Virgilian scenes or otherwise draws a contrast.
Micozzi, Laura, "Pathos e figure materne nella Tebaide di Stazio," Maia 50.1 (1998): 95-121
• Feminine figures and maternal love evoke pathos in the poem.
Micozzi, Laura, "Aspetti dell'influenza di Lucano nella Tebaide," in Paolo Esposito and Luciano Nicastri, edd., Interpretare Lucano: Miscellanea di studi, Quaderni del Dipartimento di Scienze dell'Antichità, Università degli Studi di Salerno 22 (Napoli: Arte Tipografica, 1999): 343-87
• Reviews: De Rosa, BstudLat 30.2 (2000): 716-24; Di Salvo, Maia 53.3 (2001): 739-45; Franchet d'Espèrey, Revue des études latines 79 (2001): 312-13; Augoustakis, Bryn Mawr Classical Review 2002.2; Hunink, Classical Review n.s. 52.1 (2002): 68-70; Carratello, Giornale italiano di filologia: Rivista trimestrale di cultura 54.2 (2002): 282-84; Walde, Museum Helveticum 59.4 (2002): 263; Loupiac, Latomus 62.3 (2003): 729-30; Corsaro, Orpheus n.s. 24.1-2 (2003): 280-87
Micozzi, Laura, "Eros e pudor nella Tebaide di Stazio: Lettura dell'episodio di Atys e Ismene: (Theb. 8.554-565)," in Lucio Cristante, ed., Incontri triestini di filologia classica. 1: 2001-2002, Polymnia: Studi di filologia classica 2 (Trieste: Ed. Università di Trieste, 2003): 259-82
• In the story of Atys and Ismene, just as elsewhere, Statius combines epic and elegy to modify the mythological tradition.
Micozzi, Laura, "Eros e pudor nella Tebaide di Stazio: Lettura dell' episodio di Atys e Ismene (Theb. VIII 554-565)," Incontri triestini di filologia classica 1 (2001-2002): 259-82  
Micozzi, Laura, "Il tema dell'addio: Ripetizione, sperimentalismo, strategie di continuità e altri aspetti della tecnica poetica di Stazio," Maia 54.1 (2002): 51-70
• Analysis of farewells as a compositional motif in Statius.
Micozzi, Laura, "Eros e pudor nella Tebaide di Stazio: Lettura dell'episodio di Atys e Ismene (Theb. 8.554-565)," in Incontri triestini di filologia classica 1 (2001-2002), ed. Lucio Cristante, Polymnia: Studi di Filologia Classica 2 (2003), 259-82
• Statius modified the myth to combine epic and elegiac elements.
Micozzi, L., "Memoria diffusa di luoghi lucanei nella Tebaide di Stazio," in P. Esposito and E.M. Ariemma, edd., Lucano e la tradizione dell' epica latina. Atti del convegno internazionale di studi Fisciano-Salerno, 19-20 ottobre 2001, Università degli studi di Salerno. Quaderni del Dipartimento di scienze dell' antichità (Napoli: Guida, 2004): 137-51
Micozzi, Laura, Il catalogo degli eroi: Saggio di commento a Stazio, Tebaide 4, 1-344, Testi e commenti 4 (Pisa: Edizioni della Normale, 2007)
• Reviews: Harrison, Bryn Mawr Classical Review 2008.11.04; Hulls, Classical Review 58.2 (2008): 488-90
Micozzi, L., "A lezione di ars amatoria nell'Achilleide," Materiali e discussioni per l'analisi dei testi classici 59 (2007): 127-44
• Statius uses Ovidian elegiac imagery in creating Achilles.
Micozzi, L., "Ille referre aliter saepe solebat idem: Ripetizione e sperimentalismo narrativo nella Tebaide in Stazio," in R. Ferri, J.M. Seo and K. Volk, edd., Callida Musa: Papers on Latin Literature in Honor of R. Elaine Fantham, Materiali e discussioni per l'analisi dei testi classici 61 (Pisa: Fabrizio Serra editore, 2009): 211-28
• Summary in Kershner, Bryn Mawr Classical Review 2010.08.46
Statian epic shows a tendency to provide different versions of a story. For example, the discussion of Tydeus at 2.482-743 is repeated by Tydeus himself in Book 3. Similarly, 6.242-248 retells 4.746-765.
Micozzi, L., Stazio: Tebaide, Mondadori Classici (Milan, 2010)
• Italian translation.
Micozzi, Laura, "Elogio dell'esegesi: Note testuali alla Tebaide di Stazio," MDAI 67 (2011): 152-82
• On 1.71-72, 1.109-111, 1.227-231, 1.303-305, 2.26-31, 2.737-738, 4.22-23, 4.76-78, 4.317-319, 5.121-122, 5.268-269, 5.497-498, 9.805-807, 10.137-139, 11.644-647, 12.69-70, 12.166-168.
Micozzi, Laura, "Statius' Epic Poetry: A Challenge to the Literary Past," in William J. Dominik et al., edd., Brill's Companion to Statius (Leiden: Brill, 2015), pp. 325-342
• A comparison of the characters in the poem with their predecessors, in particular Ovid's Met, which illustrates the intertextual irony in the poem.
Miletti, Lorenzo, "Calderini, Poliziano, Barbaro e il 'ritorno' di Temesa nell'Umanesimo," Atene e Roma: Rassegna trimestrale dell'Associazione Italiana di Cultura classica N.S. 1, 1-2 (2007) 39-52
• At the end of the 15th century, Domizio Calderini, Angelo Poliziano, and Ermolao Barbaro entered into a learned debate on the ancient city of Temesa in their commentaries on Pliny the Younger and Statius.
Mira Seo, J., "Statius Silvae 4.9 and the Poetics of Saturnalian Exchange," Materiali e discussioni per l'analisi dei testi classici 61 (2008): 243-56
Mitscherlich, Chr. W., "In P. Papinii Statii Achilleida," Epistola critica in Apollodorum ad virum illustrem Chr. Gottl. Heyne. Accedunt nonnulla in Statium et Catullum (Göttingen: Vandenhöck et Ruprecht, 1782), 53-91
• Discussions of Ach. 1.1, 3-4, 4-5, 13, 8-9, 10-12, 99-100, 116-17, 155, 209-10, 290-92, 344-45, 412, 449, 476-77.
Mitscherlich, Chr.W., Observationes ad Taciti Annales 3,55, Germ. 5, Sallusti Jug. 67, Stat. Theb. 2,16, 1,55, Cic. Off. 1,11. Index lectionum (Göttingen, 1841)
Miyagi, Tokuya, "Tradition and Innovation of Epithalamium: Statius and Claudian," Classical Studies 11 (1994) 227-242
• "In Medea, Seneca used the conventional model of epithalamium established by Catullus. Statius introduced new elements to this literary form: 1. positive employment of epic techniques; 2. application of words and motifs used in love poetryand insertion of fictional love story; 3. influence of pastoral poetry; 4. creation of a special function of Venus as coniugator and pronuba. All these elements also appear in the epithalamia of Claudian who also has an important place in the tradition and became a model to his successors in the sixteenth and seventeenth centuries."
Moerner, F.E.L., De P. Papinii Statii Thebaide questiones criticae, grammaticae, metricae dissertatio (Regensberg, 1890)
Moisy, Sigrid von, Untersuchungen zur Erzahlweise in Statius' Thebais, Habelts Dissertationsdrucke / Reihe klassische Philologie 11 (Bonn, 1971)
• Reviews: Delarue, Revue de philologie, de littérature et d'histoire anciennes 47 (1973): 165; Marache, Revue des études latines 51 (1973): 419
Momigliano, A., "Sul dies natalis del santuario federale di Diana sull'Aventino," Rendiconti della Classe di Scienze morali, storiche e filologiche dell'Accademia dei Lincei 17 (1962): 387-92
Mommsen, Th., "Vitorius Marcellus," Hermes 13 (1878): 428-30
Mommsen, Th., ed., Jordanes, Romana et Getica, MGH V.1, (Berlin, 1882): xlv and 198
• On LP ad 12.62.
Monno, Olga, "Tenuissima virtus di corridori, inseguitori e fuggiaschi in Virgilio e Stazio," InvLuc 32 (2010): 105-13
• Servius ad Aen. 9.556 suggests that Virgil is the source for Th. 6.568 and hence Turnus is a model for Parthenopeus in this scene.
Montero Herrero, Santiago, "Divinidades egipcias en Estacio," Habis: Filología Clásica, Historia Antigua, Arqueología Clásica 10-11 (1979-80): 241-53
• Statius pays witness to several aspects of Egyptian religion, especially Isis.
Montone, Francesco, "Vergilian Wolves in the Panegyric on Avitus by Sidonius Apollinaris (Carm. 7.361-368)," Acta Antiqua Academiae Scientiarum Hungaricae 53 (2013) 287-300
• In describing the Vandals as wolves, Sidonius uses Virgil, Statius, Silius, Valerius Flaccus, and Lucan.
Moreland, F.L., "The Role of Darkness in Statius: A Reading of Thebaid I," Classical Journal 70.4 (1975): 20-31
• Gloom and the inability to see, both literally and metaphorically, are important aspects of Theb. 1. Theseus has neither of these, as a symbol of the ultimate defeat of evil.
Morel, Fréderic the Younger, In Papinii Surculi Statii Sylvas (Paris, 1601)
• On Statius' language, style, and meter.
Morelli, Alfredo Mario, "Un simposio per le acque: Stazio e il balneum di Claudio Etrusco (Silu. 1.5)," Studi italiani do filologia classica 2018.1 (2018) na
Morel, W., "Statius, Achilleis 2.142," Classical Review 55 (1941): 75
• Read entrare, against the errare of P.
Morford, Mark Percy Owen, review of Newmyer, S. Th., The Silvae of Statius (1979), Classical Philology 76 (1981): 331-33
Morgan, Llewelyn, rev. of C. Newlands, Statius' Silvae and the Poetics of Empire (Cambridge: Cambridge University Press, 2002), Bryn Mawr Classical Review 2002.09.13  
Morton Braund, S., "Ending epic: Statius, Theseus and a merciful release," Proceedings of the Cambridge Philological Society 42 (1996): 1-23
Morzadec, Françoise, "Ars et natura dans les Silves de Stace," in Christophe Cusset, ed., La nature et ses représentations dans l'Antiquité: Actes du colloque des 24 et 25 octobre 1996, École normale supérieure de Fontenay-Saint-Cloud, Documents, actes et rapports pour l'éducation (Paris: CNDP, 1999): 187-197
• Reviews: Bargue-Calixto, Revue des études grecques 113.2 (2000): 681-82; Hummel, Revue de philologie, de littérature et d'histoire anciennes 3 ser. 73.1 (1999): 124-26
Morzadec, Françoise, "Brumes et nuages dans les épopées de Lucain, Stace et Silius Italicus: entre mythologie et météorologie," in Christophe Cusset, ed., La météorologie dans l'Antiquité: Entre science et croyance: Actes du colloque international interdisciplinaire de Toulouse, 2-3-4 mai 2002, Mémoires du Centre Jean-Palerne 25 (Publications de l'Université de Saint-Étienne, 2003): 179-200
• Reviews: Ducos, Revue des études latines 82 (2004): 367-69; Le Blay, Revue des études grecques 118.1 (2005): 283-85
Morzadec, Françoise, "Brumes et nuages dans les épopées de Lucain, Stace et Silius Italicus: entre mythologie et météorologie," in Ch. Cusset, ed., La Météorologie dans l' Antiquité: entre science et croyance. Actes du Colloque International Interdisciplinaire de Toulouse 2-3-4 mai 2002, Centre Jean Palerne, Mémoires 25 (Saint-Étienne Cedex 2: Publications de l' Université de Saint-Étienne, 2003): 179-200 
Morzadec, Françoise, "Métamorphoses du paysage d' Oivde à Stace: Le 'paysage ovidien'dans la Silve II. 3," in E. Bury and M. Néraudau, edd., Lectures d'Ovide publiées à la mémoire de Jean-Pierre Néraudau (Paris: Les Belles Lettres, 2003): 89-106
Morzadec, Françoise, "Stace et la Sibylle: Rivalité littéraire autour de la louange de Domitien: La Silve IV, 3," in Monique Bouquet and Françoise Morzadec, edd., La Sibylle: Parole et représentation (Rennes: Pr. Universitaires de Rennes, 2004): 85-98
• Reviews: Hummel, BiblH&R 66.3 (2004): 693-95; Cormier, Bryn Mawr Classical Review 2004.11; Suárez de la Torre, Kernos 18 (2005): 550-52; Van Haeperen, RBPh 84.1 (2006): 161; Deschamps, Revue des études anciennes 106.2 (2004): 657-58; Poccetti, Revue des études latines 85 (2007): 437-39; Roessli, Revue de l'histoire des religions 224.2 (2007): 253-71
Morzadec, F., Les images du monde: Structure, écriture et esthétique du paysage dans les œuvres de Stace et Silius (Bruxelles: Éditions Latomus, 2009)
Most, Glenn W., "Das Kind ist Vater des Mannes: Von Rushdie zu Homer und zurück," Gymnasium 115.3 (2008): 209-36
• A comparison between Achilles' wrath in the Iliad and the protagonist in Rushdie's Fury. The portrayal of Achilles as a youth in comparison with the Achilleid shows that Achilles as a youth is seen as a smaller version of the grown Achilles, this the ancient view of a human as having a constant character. Discussion of the role of childhood stories in ancient literature.
Mota, Bernardo, "Efeito poético e retórico dos compostos na Aquileida de Estácio," Euphrosyne n.s. 30 (2002): 239-46
• Discussion of Statius' word innovations in the Achilleid to determine how much Statius follows tradition.
Moul, Victoria A., "Quo rapis? Tone and Allusion at Aulis in Statius' Achilleid," Classical Quarterly N.S. 62.1 (2012) 286-300
Ach. 1.397-559, the gathering of the troops at Aulis, mirrors the themes and structure of the work as a whole, especially in the epic blend of erotic or elegiac material. References to Aen. 2 invites us to read Statius' pre-Iliad as a post-Aeneid, in which Achilles' future glory and the fall of Troy are only a prelude to the reinvigoration of Trojan power in the form of Roman greatness.
Moussy, C., "L'imitation de Stace chez Dracontius," Illinois Classical Studies 14 (1989): 425-433
• An analysis of the allusions to Statius in Dracontius, indicating each as involuntary or a meaningful intertextual reference.
Moya del Bano, F., "Helena convertida en estrella? A proposito de dos pasajes de estacio," Melanges F. Rodriguez Adrados 2 (1987): 659-677
• A study of Helen in Silv. 3.2.8-12 and Theb. 7.791-93.
Mozley, J.H., ed. and trans., Statius [opera] (Loeb Classical Library) (in 2 voll.) (London/New York, 1928)
• Reviews: Mustard, The American Journal of Philology (1928): 402; Stewart, Classical Review 42 (1928): 237-38; Hosius, Philologische Wochenschrift (1929): 138-40; Knapp, The Classical World 22 (1929): 164; Law, Classical Philology (1929): 318; Robinson, Classical Journal 25 (1929): 147
Mozley, J.H., "Statius as an imitator of Vergil and Ovid," The Classical World 27 (1933): 33-38
• Statius has a tendency to paraphrase his models, to employ researched expessions and show details of learning, and finally to create a sentimental element. Includes a list of passages. 
Mozley, J.H., ed. and trans., Statius [opera] (Loeb Classical Library) (in 2 voll.), 2nd ed. (London/Cambridge, MA, 1955)
Mozley, J.H., "Virgil and the Silver Latin Epic," Proceedings of the Virgil Society 3 (1963-64): 12-26
Mulder, H.M., ed., P. P. Statii Thebaidos liber secundum, speculum litterarium inaugurale (Groningen: De Waal, 1954) [text with commentary]
• Reviews: Getty, The American Journal of Philology 78 (1957): 94-97; Dilke, Journal of Roman Studies 47 (1957): 285-86; Wagenvoort, MPh 58 (1958): 26-30
Mulder, H.M., "Fata vetant: De imitandi componendique in Achilleide ratione Statiana," in P. de Jonge et al., ed., Ut pictura poesis: Studia Latina P.J. Enk oblata (Leiden, 1955): 119-128
• The technique of variatio in S.'s imitation of his predecessors in the Achilleid, especially as regards Thetis' attempts at evading Destiny.
Müller, H., Studia Statiana, diss. inaug., Rostock (Berlin: Heinrich, 1894)
Link
Müller, Otto, Quaestiones Statianae, Progr. Des Gymnasiums zum grauen Kloster (Berlin: Calvary, 1861)
Link
Müller, Otto, "Zu den Gedichten des P. Papinius Statius," Rheinisches Museum für Philologie, n.F. 18 (1863): 189-200
• On echoes of the Silvae in antiquity and the Middle Ages, and criticism of Bentley's edition. Discussions of Silv. 4.4.1, 4.2.28, 5.2.142, 2.1.218;Ach. 1.72-76; Theb. 1.32-34, 2.12-3, 2.257-58, 2.342-43, 5.381-83, 7.640-41, 7.666-68, 10.100-1, 10.402, 10.668-69, 10.702-3, 11.470-71, 11.661, 3.648-49, 4.828-29, 1.291-93, 1.339-41, 3.183-87, 4.139-42, 3.291-94, 4.76-79, 7.436-38, 9.4-7, 11.278.
Müller, Otto, Electa Statiana, Programm des Luisenstädtischen Gymnasiums (Berlin, 1882)
Müller, O., "Aus alten Handschriften des Statius," Wochenschrift für klassische Philologie 20 (1903): 192-97
• On (I) neumes in the Kassel and Puteanus manuscripts; (II) citations from the Disticha Catonis in the Puteanus; and (III) readings in the Bambergensis (and problems reading Kohlmann's apparatus), in response to H. Nohl's review of Kohlmann's 1883 edition of the Thebaid, Wochenschrift für klassische Philologie 1 (1884): 1622 . Link.
Mulligan, Bret, "Sacer Argus: Bilingual Wordplay in Statius Silvae 5.4.11-13," Mnemosyne 64.3 (2011): 471-80
Sacer is to be read in both its Latin and Greek contexts.
Mulligan, B., J.L. Brown, M.C. Farmer, T.J. Freeman, M. Macchione, and E.H. Spear, rev. of B. Gibson, Statius. Silvae 5. Edited with Introduction, Translation and Commentary, Oxford Classical Monographs (Oxford: Oxford University Press, 2006), Bryn Mawr Classical Review 2007.06.19  
Munckerus, Thomas, Mythographi latini..., 2 voll. in 1 (Amsterdam, 1681)
Munk Olsen, Birger, "P. Papinius Statius, II," in L'étude des auteurs classiques latins aux xie et xiie siècles, II: Catalogue des manuscrits classiques latins copiés du XIe au XIIe siècle: Liuius-Vitruuius. Florilèges. Essais de plume, Doc., Et. & Répertoires publ. par l'Inst. de rech. & d'hist. des textes (Paris: éd. du CNRS, 1985), 521-567
Mussini Sacchi, Maria Pia, "Per la fortuna del Demogorgone in età umanistica," Italia medioevale e umanistica 34 (1991) 299-310
• The origin of the "Demogorgon" in Boccaccio's Genealogia and its humanistic diffusion. It derives from a gloss from Lactantius Placidus ad Theb. 4.514-516), which equates it with the neoplatonic δημιουργό&sigma.
Mustard, W.P., "Note on Dante and Statius," Modern Language Notes 39 (1924): 120
Myers, K.S., "Miranda fides: Poet and Patrons in Paradoxographical Landscapes in Statius' Silvae," Materiali e discussioni per l'analisi dei testi classici 44 (2000): 103-38
Myers, K.S., "Psittacus Redux: Imitation and Literary Polemic in Statius, Silvae 2.4," in J.F. Miller, C. Damon, and K.S. Myers, edd., Vertis in usum: Studies in honor of Edward Courtney, Beiträge zur Altertumskunde 161 (München: Saur, 2002): 189-99
Myers, K.S., "Docta otia: Garden Ownership and Configurations of Leisure in Statius and Pliny the Younger," Arethusa 38.1 (2005): 103-29
Myers, Karen Sara, "Ambiguus vultus: Horatian echoes in Statius' Achilleid," Materiali e discussioni per l'analisi dei testi classici 75 (2015) 179-188
• The depiction of Achilles as warrior and passionate lover echoes Horace.
Myers, Karen Sara, "Statius on Invocation and Inspiration," in William J. Dominik et al., edd., Brill's Companion to Statius (Leiden: Brill, 2015), pp. 31-53
• Statius' innovations in the invocation of the Muses show his poetic originality. Discussion of his relationship with Callimachus.

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